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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Arjay Smith (Brian Parks), Kenneth Welsh (Vice President Becker), Nassim Sharara (Saudi Delegate), Glenn Plummer (Luther), Sela Ward (Dr. Lucy Hall), John Maclaren (Veteran Scientist), Adrian Lester (Simon), Perry King (President Blake), Jay O. Sanders (Frank Harris), Nestor Serrano (Gomez), Russell Yuen (Hideki, Emmy Rossum (Laura Chapman), Vitali Makarov (Yuri, Ian Holm (Terry Rapson), Jake Gyllenhaal (Sam Hall), Japanese Astronaut), Carl Alacchi (Venezuelan Delegate), Austin Nichols (J.D.), Richard Zeman (Flight Director), Tamlyn Tomita (Janet Tokada), Mimi Kuzyk (Secretary of State), Russian Astronaut), Kenneth Moskow (Bob), Michel 'Gish' Abou-Samah (Saudi Translator), Dennis Quaid (Jack Hall), Dash Mihok (Jason Evans), Christopher Britton (Vorsteen), Sasha Roiz (Parker), Christian Tessier (Aaron)
The Day After Tomorrow die richtige film produziert von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, Verwendung einer Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Ohr Platzen Klangqualität und am besten mit Schauspielern.
Sie jetzt sind beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in bester Qualität das Gefühl, dass Bericht freigegeben in dem Land. Führung Favoriten sofort movie, mit allen drücken einer Maus! zusammen mit einem uneingeschränkt Maß Bandbreite und Inhalte zu streamen, zu beobachten was Sie suchen, Wann immer du willst!
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Editor : David Brenner, Assistant Art Director : Camille Parent, ADR & Dubbing : Derek Casari, Steadicam Operator : Francois Archambault, Electrician : Paul Postal, Sound Re-Recording Mixer : Doug Hemphill, Art Department Coordinator : Nancy A. King, Visual Effects Supervisor : Remo Balcells, Set Designer : Vincent Gingras-Liberali, Director : Roland Emmerich, Production Illustrator : Michael Meier, Makeup Artist : Sharon Ilson, Sequence Leads : Jason Iversen, Camera Operator : Eric Goethals, Script Supervisor : Kim Berner, Carpenter : Jane Kilkenny, Property Master : Claire Alary, Pilot : Al Cerullo, Camera Operator : Gary L. Camp, Location Manager : Lily Flaschner, First Assistant Editor : Quincy Z. Gunderson, Chief Lighting Technician : Jean Courteau, Makeup Effects : Adrien Morot, Set Production Assistant : Mariana Acuña Acosta, Construction Foreman : Eric Lafrance, ADR Editor : Kerry Dean Williams, Makeup Effects : C.J. Goldman, Sound Effects Editor : Michael Kamper, Makeup Artist : Elisabeth Fry, Transportation Co-Captain : Spiro Tsovras, Camera Operator : Peter Hutchison, Visual Effects : Kristen Branan, Set Medic : Jean Marchand, Second Unit Cinematographer : Tom Yatsko, Line Producer : Tavin Marin Titus, Finance : Linda Strause, Special Effects : Neil Corbould, Set Decoration : Victor J. Zolfo, Casting Assistant : Bryan Riley, Costume Coordinator : Lyse Pomerleau, Original Music Composer : Thomas Wanker, Associate Producer : Lawrence Inglee, Loader : Amelie Duceppe, Casting : Randi Wells, Conductor : Blake Neely, Supervising Sound Editor : Mark P. Stoeckinger, Digital Effects Supervisor : Bryan Grill, Lighting Supervisor : Chris Wells, Visual Effects Editor : Nicolas Anastassiou, Visual Effects Supervisor : Greg Anderson, Rigging Grip : Richard Complaisance, Key Makeup Artist : Kathryn Casault, Hairstylist : Réjean Forget, Music Editor : Bob Beher, Producer : Roland Emmerich, Local Casting : Cate Praggastis, Sound Recordist : Chris Walmer, CG Supervisor : Sean Andrew Faden, Makeup Effects : Sylvania Yau, Second Unit Cinematographer : Anna Foerster, Executive Producer : Ute Emmerich, Sound Designer : Alan Rankin, CG Supervisor : Hans Uhlig, Key Costumer : Valerie T. O'Brien, Production Accountant : Manon Lapointe, Visual Effects Producer : Jody Echegaray, Dialogue Editor : James Matheny, Set Designer : Frédéric Amblard, Foley : Glenn T. Morgan, Propmaker : Patrice Jacques, Camera Operator : Francois Archambault, Producer : Mark Gordon, Sound Engineer : John Bires, First Assistant Camera : Michel Bernier, Casting Associate : Scott David, Author : Jeffrey Nachmanoff, Art Direction : Réal Proulx, Musician : Maria Newman, Visual Effects Supervisor : Chris Watts, I/O Supervisor : Ryan Beadle, Post Production Assistant : Jeff Schweikart, Visual Effects Coordinator : Erica Headley, Roto Supervisor : Stephanie Taubert, Helicopter Camera : Steve Hertler, Stunt Coordinator : Charlie Brewer, Art Direction : Michele Laliberte, First Assistant Sound Editor : Victor Ray Ennis, Creature Technical Director : Vijay Myneni, CG Supervisor : David Prescott, Music Editor : Emanuele Arnone, Hairstylist : Kathryn Powell, Lighting Technician : Stéphane Byl, Color Timer : Michael Eaves, Visual Effects Supervisor : Richard Britton, Craft Service : Chris Winn, Makeup Effects : George Tucci, Visual Effects Supervisor : Jerry Spivack, Executive Visual Effects Producer : Marc Sadeghi, Software Engineer : Chamberlain Fong, Supervising Art Director : Claude Paré, Construction Coordinator : Bruce Di Valerio, Construction Coordinator : Alain Brochu, Assistant Production Coordinator : Guylaine Boucher, Storyboard : Timothy Burgard, Executive Producer : Kelly Van Horn, First Assistant Editor : Robert Berman, Production Manager : Daniel Auclair, Rigging Gaffer : Frank Dorowsky, Casting : Andrea Kenyon, Visual Effects Supervisor : Conny Fauser, Techno Crane Operator : Richard Boucher, Set Designer : Stephanie Gilliam, Orchestrator : Frank Bennett, Casting : April Webster, Location Manager : Kenneth E. Fix, Construction Coordinator : Rejean Brochu, Art Direction : Tom Reta, Associate Producer : Kim H. Winther, Driver : Chris Haynes, Visual Effects Producer : Petra Holtorf, Supervising Sound Editor : Larry Kemp, Set Designer : Karl J. Martin, Art Department Assistant : Una Martin, Assistant Property Master : Eric Bardin, Costume Design : Renée April, Sound Recordist : Jon S. Trebilcock, Key Hair Stylist : Janis Clark, Boom Operator : Timothy P. Salmon, Production Coordinator : Danielle Boucher, Set Designer : Caroline Alder, Visual Effects Art Director : Alexander Laurant, 3D Animator : Jeremy F. Butler, Costume Supervisor : Robert Q. Mathews, Sculptor : Andrew Semple, Location Manager : Céline Daignault, Set Designer : Steve Cooper, Sound Mixer : David O. Daniel, Production Design : Barry Chusid, Production Sound Mixer : Douglas J. Schulman, Utility Sound : Schavaria Reeves, Visual Effects : Michael Leung, 3D Artist : Zack Judson, CG Supervisor : Andrew Waisler, Construction Coordinator : Michel Brochu, Hairstylist : Sandy DeBlasio, Set Designer : Alex Touikan, Executive In Charge Of Production : Vanessa R. Jordan, Set Costumer : Arlynn Abseck, Key Grip : Marc Andrus, Dialogue Editor : Daniel S. Irwin, Sound Designer : Harry Cohen, Transportation Coordinator : Javier Gunther, Gaffer : Logan Leabo, Unit Publicist : Joe Everett, Author : Roland Emmerich, Set Decoration : Paul Hotte, Sound Designer : Randy Kelley, Visual Effects Supervisor : Ian Hunter, Lighting Artist : David B. Menkes, Stand In : Martin Brisebois, Grip : Joost Clerinx, Unit Manager : Paul Boutin, Visual Effects Editor : Michael Cavanaugh, Technical Supervisor : Irfan Celik, Camera Technician : Steven J. Winslow, Rigging Gaffer : Gilles Fortier, Camera Operator : Alfonso Maiorana, Visual Effects Producer : Mike Chambers, Set Decoration Buyer : Stacy Weddington, Video Assist Operator : Julie Garceau, Visual Effects Producer : Todd Isroelit, Art Direction : Gerald Sullivan, Stunts : Marcello Bezina, Camera Operator : Georgia Packard, Director of Photography : Ueli Steiger, Costume Supervisor : Kenn Smiley, Steadicam Operator : Gary L. Camp, Third Assistant Director : Paul Drouin, Still Photographer : Takashi Seida, Sculptor : Lucie Fournier, Sound Recordist : Dennis Rogers, Transportation Coordinator : Daniel Matthews, Negative Cutter : Gary Burritt, Leadman : David M. Milstien, Script Supervisor : Sophie Boyer, Camera Loader : Charlie Newberry, Systems Administrators & Support : Joe Ardent, Unit Production Manager : Joe Dishner, Special Effects Supervisor : Louis Craig, Visual Effects Supervisor : Greg Strause, Sound Designer : Ann Scibelli, Digital Compositors : Sean Apple, Visual Effects Supervisor : Karen E. Goulekas, Visual Effects Producer : Raoul Bolognini, Stunt Coordinator : Branko Racki, Dolly Grip : Alain Masse, Matchmove Supervisor : Alia Agha, CG Supervisor : Dagan Potter, Digital Intermediate : Lorene Simpson, First Assistant Director : Kim H. Winther, Scenic Artist : Donald Beaulieu, Best Boy Electric : Edison Jackson, Painter : Gloria Ciraolo, Still Photographer : Kerry Hayes, Art Direction : Martin Gendron, Visual Effects Producer : Michael Meagher, Property Master : Denis Hamel, Visual Effects : Diane Macke, Sound Recordist : Tim Gomillion, Pre-Visualization Supervisor : Daniel Fort, Camera Operator : Bill O'Drobinak, Visual Effects Supervisor : Colin Strause, Animation Supervisor : Danny Gordon Taylor, Co-Producer : Thomas M. Hammel, Set Designer : Hugo Santiago, Executive Producer : Stephanie Germain, Visual Effects Supervisor : Rocco Passionino, Original Music Composer : Harald Kloser, Transportation Captain : John Bober, 24 Frame Playback : Marie-Pierre Tétreault, Visual Effects Producer : Casey Conroy, Second Assistant Director : Erik Ajduk, Utility Stunts : Nick Brandon, Post Production Supervisor : Jeffrey Harlacker, Set Dresser : Louis Dandonneau, Digital Producer : Andra Bard, Modeling : Yoshiya Yamada, 3D Supervisor : Rina Strause
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